Please click on picture for the film of the poem, and don’t forget to join us at the launch!
“Greta Garbo, and Monroe
Dietrich and DiMaggio
Marlon Brando, Jimmy Dean
On the cover of a magazine”
Always fun to find yourself on the cover of a magazine, especially under the headline ‘Strange and Beautiful’. Since model/actor Milind Soman is next to me, I can safely assume I’m strange and he’s beautiful!
“It is hard to articulate an emotional response towards Strange, Shreya Sen-Handley’s collection of short stories. The collection oscillates between sci-fi, fantasy, horror, romance, mental health, surrealism and dystopia. The closest one gets is an eerie head tilt, the kind that you see a dark-coloured cat do when it seems to be staring right through your soul.
What Handley has perfected is the art of deliberate obfuscation to throw the reader off. She creates an ether-like environment by revealing minimal detail. A most reluctant narrator and an accomplished illusionist, she shows only what she wants you to see. Halfway through the collection, the reader starts fearing what she holds in her other hand, the one she hides behind her back. Thematic parallels can be drawn to Black Mirror and Love, Death and Robots. Similar to these shows her stories begin from a point, in reality, a surrounding that is relatable and then it is her prose that lifts her universe just a few inches above the ground until it floats above our own, shimmering and within it a constant, sinister reflection of our own. In Handley’s worlds, the reader is a sleepwalking tourist completely at her mercy, walking with only a hazy image in front of them…..
Another tool that Handley employs rather well is the penultimate twist. It is a fine balancing act she pulls off ensuring the penultimate twist is devastating enough to appear to be the final one and yet the final twist still builds up. In a short story structure where pacing is key achieving this requires special mention. In Lean On Me, a wheelchair dependent man enters into a relationship with his healthcare worker and moves into her home. Erratic behavior on his part soon leads to a discovery of many other potential lovers being cultivated online and his exit from her home. What he leaves behind is shockingly poetic. Handley also has a few zingers by way of opening lines peppered through this collection including my favorite, “Tom Hiddleston and Idris Elba walk into a bar…” Often she uses unconventional words and structure to hammer home the strangeness of the collection which has a wonderful effect, such as the word ‘un-undressed.’
Shreya Sen-Handley’s Strange is a lovely little eccentric collection that merits a place on any bookshelf. One would call it a success simply by how badly one wants to invite the author to tea point at various passages and demand more details. Such as what was on the chit that was passed to Arnie. Each story is so well interlinked so finely constructed that the reader tends to go back and forth to ensure there is no tiny detail that has escaped the first read. Handley’s is a refreshing voice in the scares department and one hopes it will only get louder and creepier. If you are into the ‘chills’ this is not to be missed.”(click on picture for full review)
(Click on picture for link to page or read it below)
“The Body Politik
Sen-Handley does not shrink from a rigorous and unsentimental assessment of her sexual forays and missteps
~by Jael Silliman
Memoirs of My Body; Author: Shreya Sen-Handley; Publisher: HarperCollins; Pages: 274
Young women living in India, or of Indian descent now living abroad, dealing frankly and explicitly with the politics of sexuality and desire in the public domain are finding an audience. They are direct and fearless about uncovering troubling societal notions that assert control over women’s bodies and attempt to curb women’s sexuality. For example, Ira Trivedi’s India in Love: Marriage and Sexuality in the 21st Century (2014) examined the changing sexual mores of young Indians in non-Metro cities. She argued convincingly that the sexual revolution that has occurred in the last 20 years has fundamentally reshaped the ways in which young people think and deal with each other in relationships. She probed disturbing social attitudes towards prostitution, pornography and gay marriage, and underlined the incredible individual and social costs emanating from sexual repression.
This year’s Lipstick Under My Burkha by Alankrita Shrivastava is a bold and compelling film by a young woman that deals with the politics of desire, and the still too-high price women have to pay for breaking taboos about sexuality. The popularity of this sexually explicit movie indicates that a broad public is ready to engage with an honest treatment of sexuality from a woman’s point of view.
Shreya Sen-Handley, in Memoirs of My Body, goes a step further: it is her own body and sexuality that drives this provocative book forward. Her body is the touchstone for reflecting on the broader experience of sexuality and its conundrums. She demonstrates great confidence in moving from her own experience to speak of women more broadly today and through history. While some of her work is based on her life growing up in Kolkata and working in Delhi, Sen-Handley, now living in London, remarried and a mother of two, draws on her experiences abroad and on contemporary global events to ground her work.
The book opens when Sen-Handley is barely six, made to feel guilty when she is “caught” masturbating by her “horrified” mother. Her “pleasurable little world shattered into tiny shards of shame”. Sen-Handley questions why she was forced to carry this burden of shame, where nothing shameful had been done. “For years the whole experience of sex, especially my own sexual urges, would be tainted by this view that sex is filthy, bestial, and one of my many failings.”
The failure to deal honestly with masturbation, the labelling of women masturbating as a mental disorder that has existed since Ancient Greece, and the punishments historically meted out to children found masturbating, which included tying them to their beds and “clamping especially made metal appliances on their genitals”, provide insights on how far society has gone to curb women’s pursuit of sexual pleasure.
In a chronological sequence, always starting with her own wide-ranging sexual experiences and relationships, Sen-Handley does not shrink from a rigorous and unsentimental assessment of her sexual forays and missteps. For example, she describes her first experience of intercourse as uncomfortable and uninspiring, so different from the million love songs that had been spawned, where she was supposed to hear “celestial music”. Instead she heard “…the gritting of teeth (mine) and the revolting slab of flesh (his) against firm flesh (mine). Not what I had signed up for at all!”
Sen-Handley has a strong libido, her mind is sharp and her reading on the topic is wide. She takes the reader on her sexual journey where one can touch the humiliation of being dark and, therefore, unattractive in India, the searing impact of sexual harassment at the workplace, the mental and physical violence she faced in her first marriage and her subsequent plunge into dating in London. Here, her dusky body and curvaceous figure resulted in her being pursued, much to her delight, “by a line of suitors”, albeit many of them “frogs”. Sen-Handley unflinchingly discusses the sexual desires of her male suitors who include the Bitty Bobs, the men fixated on certain parts of women’s bodies, not the whole. She insists that these kinds of men who exist all over the world, have made “a fine art of objectification of women’s bodies”. The media, advertising, fashion and film all decide what unreal shape and size a woman’s face and body should be, which in turn fuel the weight-loss programmes, gyms, diet food and cosmetic surgeons who all promise to make women that perfect size and shape to be desirable. The “body-shame industry”, as she calls it, is worth $600 billion.
Sen-Handley’s writing is fresh and uncompromising. This sassy, engaging book is at once Sen-Handley’s story and a universal one. Men and women will find the book challenging and will have much to learn from it.”
“With 2019 on the verge of its end, a decade is coming to a close. Whether the political upheavals, social initiatives or economic ups and downs, everything adds to what the decade meant for us. What better way to look at the year going by, than through the lens of literature? Since women writers flourished this year, churning out best-sellers and winning major literary prizes SheThePeople.TV reached out for recommendations for books written by women in 2019 through Facebook and Twitter.” Click on image for full list!
“…Writing gives me joy like nothing other than my little family can. This year, I have been fortunate to have worked on two projects that have been a thrill – my book of short stories ‘Strange’ which is out now, and my opera for the Welsh National Opera which goes on tour in Britain in 2020. Both completely different, both challenging in their own way, and a complete delight to me, both in their fashioning and in the final product.
In the context of the opera, writing has also enabled me to score a first and pave the way for others after me. With the writing of this opera, I am reliably informed, I became the first and only South Asian woman writer to have written a libretto for a major international opera house, and the central characters in my opera will be the first modern Indian characters to grace the international operatic stage. Writing, therefore, has allowed me to strike a necessary blow for diversity and equal opportunities in the arts!
But writing is as much about the sheer joy of it. I have had so much fun writing the short stories in ‘Strange’, letting loose with my imagination, my arsenal of words, and mischievously twisted ideas, and then taking a chisel to them in the end to hone it to as near-perfection as I can, that I hope my enjoyment shines through these stories and warms the reader. Because that too is why I write – to share my pleasure in our weird and wonderful world.”
(Please click on pic to read the rest – another brief paragraph!)