Shreya’s co-authored Welsh National Opera production Migrations toured the UK in 2022, but yet another glowing review only came to light recently

Image: A photo from this year, unlike the opera or this review!

The reviewer writes “No land remains untouched by foreign feet. It’s a line that uttered throughout Migrations, a new opera by Welsh National Opera and was left stuck in my brain the whole drive home after I saw it this week at the Mayflower Theatre, Southampton. As part of their Autumn season, WNO have finished their run at the Mayflower with a touching show about diversity, acceptance, and migration. Commissioned for the 400th anniversary of the sailing of the Mayflower, this new opera is a colossal collaboration that leaves a lasting impact…”

And that Shreya’s story, “This is the Life! is a story about Britain in 1968. With the rise of the NHS, young Indian doctors are invited by the British government to help build this brilliant health service. But the roads aren’t paved with gold and the anti-immigrant ideology forges rivers of racist attitudes. Through a series of Bollywood dancing and brilliant singing, these young doctors fight to be taken seriously and find their own happiness in a culture far from home.”

Ending with “Each story in Migrations was thought provoking and reflective. It was hard hitting and uncomfortable at times, but was told in a beautiful way that allowed each story to intertwine and flow through each other to create something magical on stage. It’s staggering to think that over 100 performers take to the stage at each performance, but the diversity of the cast adds to the impact of the show. Migrations is the first opera that I have seen in English, and the first modern opera too, but I loved the fact it felt relevant, accessible, and powerful. It’s a show that will be a lasting memory and will no doubt leave you wondering what migrations you’ve been on.”

To read the review in full, please click here.

The Writing of ‘Migrations’: Shreya discusses the stories in Welsh National Opera’s epic production alongside her co-writers

Writers/Librettists Shreya Sen Handley and Miles Chambers join director Sir David Pountney in discussing how Welsh National Opera’s vast production ‘Migrations’ took shape. From writing the six interweaving tales, to bringing these tales to the stage and telling a universal story through opera. Please click here for the full five-minute film https://www.youtube.com/watch?v=QpJQmacH0Qk&t=86s

In the run-up to its premiere, They also spoke on BBC Radio and television about it, and to various other national and international media outlets

Photo credit Olivia Rose Barns at Bromley House Library Continue reading

Welsh National Opera’s ‘Migrations’, co-written by Shreya Sen-Handley, is in The Guardian’s 10 best concerts and operas of 2022

An exceptional year for WNO’s artistic achievements…WNO musicians and chorus, the Renewal Choir Community Chorus, a Bollywood ensemble and a children’s chorus combined to create the teeming, heart-rending staging of Migrations: six stories by six excellent writers and one clever composer.

Read the full article here

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Shreya’s first play ‘Quiet’ in London News

The UK’s longest established Asian, black and ethnically diverse-led theatre company has a new season under its new artistic director. Tara Theatre plans to return to its activist roots, with politically- charged, innovative theatre on stage, in the form of ‘2020’, a collection of monologues about the challenges of the past year. The monologues are by writers including playwright Sonali Bhattacharyya and the first Indian woman to write an international opera, Shreya Sen-Handley. They explore a range of issues as far-ranging as Trump’s America to Liverpool FC winning their 19th top flight title, the PPE scandal for care workers, and the plight of an autistic son and mother learning about themselves in the quiet of the lockdown.

To read the article, please click here

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Shreya’s play ‘Quiet’ premieres at award-winning Tara Theatre, London, sharing a stage with Hanif Kureishi

“Tara Theatre is the UK’s longest established Asian, Black and ethnically diverse led theatre company…The new works come from writers Hassan Abdulrazzak, Shahid Iqbal Khan, BBC Words finalist Amina Atiq, Erinn Dhesi, Reginald Edmund, Carlo Kureishi, Hanif Kureishi, Asif Khan, Yuqun Fan, Abhishek Majumdar, Sumerah Srivastav, Sonali Bhattacharyya (Winner of Theatre Uncut Political Playwriting Award) and Shreya Sen-Handley (recently announced as the first Indian woman to pen an international opera).”

Read the full article here.

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Families love stunning show ‘Migrations’ too, co-written by Shreya Sen-Handley: Weston Super Mum reviews Welsh National Opera’s 2022 production

“The highlight was definitely the Indian Doctors, written by Shreya Sen-Handley, for a few reasons: the dancing and the change in style of the music with the addition of the sitar, the dark humour in the story, and the fact that (despite the darkness) this was one of the few lighter, more hopeful scenes in the production with the small glimpse of redemption and hope offered by the end of the scene…”

Read the story in full here

Photo credit: Olivia Rose Barns at Bromley House Library

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Six brilliant writers, including Shreya Sen-Handley, at the forefront of this collaborative giant: Opera Wire warmly reviews Welsh National Opera’s ‘Migrations’

“Conductor Matthew Kofi Waldren, director Sir David Pountney, composer and jazz pianist Will Todd, and six brilliant librettists were at the forefront of the collaborative giant…

This work represents revolutionary operatic theater, using six librettists, two composers, four directors, and an appreciably large team of dedicated individuals and creatives. It could very well reframe how opera is created going forward. Instead of utilizing a singular story or plot, a unique “theme” drew each of the six meta-narratives together and helped form a cohesive parable told from multiple angles….

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The Guardian and Observer impressed by Welsh National Opera’s “captivating” ‘Migrations’, co-written by Shreya Sen-Handley

“Take six stories, six librettists, an enormous cast including children and set it all to music. Stir vigorously. Add a flock of small birds, flapping, dancing and singing in search of their breeding ground. With an interlocking narrative crisscrossing history, from the pilgrim fathers to Bollywood, Enoch Powell’s rivers of blood speech and Indian doctors in the NHS of the 1960s, the African Caribbean slave trade in 18th-century Bristol, a new oil pipeline in rural Canada, English lessons for refugees and, for good measure, a space rocket, Welsh National Opera’s Migrations could have been an unholy mess. At its world premiere at the Millennium Centre, Cardiff, on Wednesday, it was anything but. Continue reading