Shreya’s co-authored Welsh National Opera production Migrations toured the UK in 2022, but yet another glowing review only came to light recently

Image: A photo from this year, unlike the opera or this review!

The reviewer writes “No land remains untouched by foreign feet. It’s a line that uttered throughout Migrations, a new opera by Welsh National Opera and was left stuck in my brain the whole drive home after I saw it this week at the Mayflower Theatre, Southampton. As part of their Autumn season, WNO have finished their run at the Mayflower with a touching show about diversity, acceptance, and migration. Commissioned for the 400th anniversary of the sailing of the Mayflower, this new opera is a colossal collaboration that leaves a lasting impact…”

And that Shreya’s story, “This is the Life! is a story about Britain in 1968. With the rise of the NHS, young Indian doctors are invited by the British government to help build this brilliant health service. But the roads aren’t paved with gold and the anti-immigrant ideology forges rivers of racist attitudes. Through a series of Bollywood dancing and brilliant singing, these young doctors fight to be taken seriously and find their own happiness in a culture far from home.”

Ending with “Each story in Migrations was thought provoking and reflective. It was hard hitting and uncomfortable at times, but was told in a beautiful way that allowed each story to intertwine and flow through each other to create something magical on stage. It’s staggering to think that over 100 performers take to the stage at each performance, but the diversity of the cast adds to the impact of the show. Migrations is the first opera that I have seen in English, and the first modern opera too, but I loved the fact it felt relevant, accessible, and powerful. It’s a show that will be a lasting memory and will no doubt leave you wondering what migrations you’ve been on.”

To read the review in full, please click here.

Shreya’s first play ‘Quiet’ in London News

The UK’s longest established Asian, black and ethnically diverse-led theatre company has a new season under its new artistic director. Tara Theatre plans to return to its activist roots, with politically- charged, innovative theatre on stage, in the form of ‘2020’, a collection of monologues about the challenges of the past year. The monologues are by writers including playwright Sonali Bhattacharyya and the first Indian woman to write an international opera, Shreya Sen-Handley. They explore a range of issues as far-ranging as Trump’s America to Liverpool FC winning their 19th top flight title, the PPE scandal for care workers, and the plight of an autistic son and mother learning about themselves in the quiet of the lockdown.

To read the article, please click here

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Shreya’s play ‘Quiet’ premieres at award-winning Tara Theatre, London, sharing a stage with Hanif Kureishi

“Tara Theatre is the UK’s longest established Asian, Black and ethnically diverse led theatre company…The new works come from writers Hassan Abdulrazzak, Shahid Iqbal Khan, BBC Words finalist Amina Atiq, Erinn Dhesi, Reginald Edmund, Carlo Kureishi, Hanif Kureishi, Asif Khan, Yuqun Fan, Abhishek Majumdar, Sumerah Srivastav, Sonali Bhattacharyya (Winner of Theatre Uncut Political Playwriting Award) and Shreya Sen-Handley (recently announced as the first Indian woman to pen an international opera).”

Read the full article here.

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“Shreya Sen Handley is…the first South Asian woman to have written a libretto for an international opera,” states top Indian newspapers

The Welsh National Opera’s Migrations, a series of six stories exploring migration from different angles, is composed by Will Todd and opens on October 3, 2020. Shreya Sen-Handley (Memoirs of My Body, Strange) is one of the six writers, and the first South Asian woman to have written a libretto for an international opera. She focusses on the experiences of the first Indian doctors in Britain.

Other than Jeet Thayil and Amit Chaudhuri, not so many Indian/Asian writers of either sex have had an opportunity to write international opera. Continue reading