I really enjoyed my interview with Britain’s Best Independent Bookstore Five Leaves Bookshop (national and regional winner several years in a row) which premiered last night. I got to yak about life and sleep and children and buses and travel and opera and books with poet and publisher Pippa Hennessy. And about growing older and growing up…
“There are only two Indians- author Amit Chaudhuri and poet Jeet Thayil- who have written librettos till now. And now joining them is Shreya Sen-Handley, who becomes the first Indian woman to write a libretto for an international opera…”
An excerpt from the book, Strange by Shreya Sen-Handley...
“Huh?’ barked the policeman who’d originally interrogated old Jay, almost apoplectic. ‘So, he’s been slipping you songs and not body parts? He lured you into dingy carparks to ply you with music, not drugs, and NOT sex?’ The youngest of the children looked at the policeman horrified that he had said the S word. Hadn’t the same man lectured them two weeks ago about avoiding pervs? The kids had never imagined that was why everyone was making such a fuss. The very utterance of the scary word, however, caused a seismic shift in the room. The focus of everyone’s distaste shifted to their bungling police force that had handled the case so badly. The parents announced that they were dropping charges. They would communicate that to the missing family too, that of the girl who’d been sick since the incident. They were confident the latter would go along happily. Back to being perfect, untampered families, they felt bad about having put the misunderstood man through the rigours of arrest and incarceration, even though they didn’t like his clothes, his taste in music, or the fact that he was taking money, however small (since they hadn’t noticed any missing), off their kids. They wondered if they should invite the unfortunate fellow to dinner. They had heard he had once been one of them, with a picket fenced home and a white-collar job in IT. His wife had left him apparently, taking their children with her in an acrimonious split, and it had all fallen apart for him. Perhaps if they embraced him to the bosom of good society again, he might cease and desist from his minor crimes…” Please click on image to read the rest of this excerpt from the short story ”Beyoncé and Jay-ji’ in ‘Strange’, HarperCollins, 2019.
“Former television journalist and producer for CNBC and MTV, and East India head for Australasian Channel [V], Shreya Sen-Handley is the author of two books with HarperCollins, the recently published short story collection Strange, and the award-winning Memoirs of My Body, published in 2017. A librettist for the Welsh National Opera, the first South Asian woman to have written an international opera according to the international press, their multicultural opera Migrations will go on tour in the UK in 2021. Shreya is also a columnist for the international media, writing for the National Geographic, CNN, The Hindu, Times of India, The Guardian, and more, a creative writing teacher for British universities and other institutions, and an illustrator for Hachette, HarperCollins, Welsh National Opera, Arts Council England, and Nottingham UNESCO City of Literature. Her short stories have been published, broadcast, and shortlisted for prizes in Britain, India and Australia. This year she wrote her first ever poems, which went on to be published and broadcast in Britain and India, as well as spearheading a British national campaign against hate crimes. She is currently working on a new Welsh National Opera production Creating Change in which she combines poetry and illustration, and writing her third book for HarperCollins, the travelogue The Accidental Tourist, alongside her monthly column for top Asian newspapers The Asian Age and Deccan Chronicle.”
Please click on image to read an excerpt from ‘Strange’, HarperCollins, 2019.
“She’s had two books published by HarperCollins, written for international media and was even the regional head of a television channel at the age of 25. It’s fair to say that there are achievers in this world, and then there’s Shreya Sen-Handley. And if that impressive CV wasn’t enough, she’s now become the first Indian and South Asian woman to write a Western, international opera, called Migrations. We catch up with the multi-talented writer to find out more…” (please click on pic to read more)
“Having had two children, and perfectly aware of how they came about, it’s not romantic or affectionate smooching that perplexes, but the formal, impersonal, performative variety, practised with relative strangers…” Please click on pic to read the whole article.
The Best Independent British Bookstore of 2018 (and regional winner before and after), Five Leaves Bookshop, interviewed me this week as part of a new online series on British authors. It was a wonderful half-hour chatting and laughing with the amazing Pippa Hennessy who plays a pivotal role for literature in the region, spearheading the campaign that brought Nottingham its UNESCO City of Literature status. In the course of the interview, I was asked to read from my HarperCollins collection of modern tales of the unexpected, ‘Strange’, and judging by the broad smile on Pippa’s face, it went down well. Please do watch the interview when it premieres on September 29th, and all the other fabulous interviews that are already out. Here, in the meantime, is a picture of us with Henry Normal, the BAFTA winning creator of popular British sitcoms like ‘The Royle Family’ and ‘Alan Partridge’, Oscar-nominated film ‘Philomena’ starring Judi Dench, and more, on a panel discussing writing. Henry Normal is another of the authors interviewed in the Five Leaves series. Please click on the pic to know more.
Completing twenty years in Britain led to some introspection on borders, nationalities and the ties that bind us to different places, which I poured into my monthly column for top Asian newspapers Asian Age and Deccan Chronicle last month. Please click on the picture to read more. The photos are of me when I first arrived in the UK twenty years ago (on the left) and now (on the right).
“Like many women, I have known psychological, sexual and physical abuse. The knowledge of what goes on in our ‘everyday’ lives beneath the unruffled surface that patriarchal society forces us to maintain is key to why women write horror, crime, and the supernatural so often and so well. We not only know what lies beneath, we have learnt to cope with it, gently and silently building up to a startling dénouement, both in our lives and our fiction.” says Sen-Handley…
Please click on the picture to read more.