The enthusiastic secondary school students produced wonderful work and the teachers accompanying them, as well as the organisers, praised the sessions as well. Shreya is a writer-in-residence for leading British writing charity First Story.
Image from First Story
Here she is on page 9, at the start of their alumnae section. She is also featured on their website, although we should probably get in touch with them to update their biography, as she’s done a thing or two, including two books, since this was posted!
Image from her time on Loreto’s student leadership, as President of the Literary Society and Quiz Club.
…gearing up to release ‘Tea, Tiffin and Tyranny’ to the world in a few months!
Image from Nottingham’s International Women’s Day at Nottingham Playhouse where Shreya was featured for her achievements
Please click here to read the snappy review, but as there are typos, here it is in full:
“It is a truth universally acknowledged that storytelling is essential to humanity, developing society and connecting the world as it does. It’s a mystery, therefore, that storytelling is anathema to the gatekeepers and practitioners of the modern ‘literary’ novel, and plots, pariahs banished from their ivory-towered, exclusionary terrain. With riveting exceptions like Booker-winning Wolf Hall or the Pulitzer-shortlisted The Dutch House, prizewinning or nominated books wallow in the kind of navel gazing that have driven readers away in their gadzillions, even as ‘literature’s’ guardians, blinded by their own self-proclaimed brilliance, rue their shrinking foothold in the real world.
Having picked up Andrew Miller’s Booker-shortlisted The Land in Winter, I was surprised, therefore, by its semblance of a story. It makes an excruciatingly slow start, bogged down for the first hundred pages with details no-one needs to know (we’re informed of every trip his characters make to the bathroom – completely unnecessary even had the story been about a consortium of plumbers), then hits its stride and becomes engrossing for the next two hundred, before letting us down again with a weak, wussy finish.
It does, however, along the way, get you invested in a few of its characters, an art that appears largely forgotten in many of today’s novels. You don’t have to like them but if the author can’t get you interested in their fate then the story has failed, and Miller does succeed in making me care about Bill’s farm, his eccentric bull, and whether he lives or dies in the end (Bill, not the bull, though the latter provides some of the rare moments of humour in this book), and about mistreated Irene and whether she will ever escape her ghastly doctor-husband’s clutches or of the oddly sinister blind children’s home matron she finds herself beholden to after her misadventures in the snow. Gabby, the East European doctor, on the other hand, is an intriguing character left largely undeveloped, and what a waste of a good story that is! The trying-too-hard-to-be-interesting Rita, I couldn’t warm to, and Eric the Doctor, I wouldn’t touch with a ten-foot pole, or his married lover and cuckolded husband for that matter, but these things are subjective and they might float your boat.
The language is beautiful, the descriptions of the pivotal snow in particular, a character in its own right, but the author indulges himself in stylistics to such a degree, especially his love for layering each line with metaphor upon (sometimes mixed) metaphor, that these stretches not only go on forever, as a snowscape can seem to, but clog up the otherwise impressive literary flow.
In conclusion, dear reader, if you’re holidaying in the sunshine, with time on your hands, give this a go.”
(c) Shreya Sen-Handley, for The Asian Age and Deccan Chronicle
Exploring why we stumble and how to sidestep it, with wisdom from Aristotle to Bruce Springsteen, here’s the article in full
Image is a still from a short film on Shreya’s career
Spanning steadfast women to Slow Horses, here’s the article in full
…on a warmly received panel chat at the University of Lincoln in April (yes, yes, we forgot to post about this too!). Here are further pictures from the event, all courtesy of Writing East Midlands.
The multicultural, empathetic and modern, everywhere, is under attack in a newly racist and fascist world. But is it really new and can it change? Read the article in full for the answers.
Working with a large number of diverse, individual, secondary school students in Nottingham, UK, and the rhythms and words that speak to them, Shreya guided the youngsters in creating striking lyrics about their everyday and yet very important worlds.
Please click here to read the article in full, and for the first part, which has been posted before, please click here to read it once more.
“I’m with Oscar when he posits, “the truth is rarely pure and never simple.” Wilde! Not at all how a lot of folk, including famous philosophers, view truth – as the single unimpeachable edict on which we must build our world. Yet, the witty Irishman was, as always, spot on. The multiplicity of our planet makes undiluted, uncomplicated truth impossible, begging the terribly modern question of “whose truth?” There’s never just one side to a story, you see, though one of the numerous versions taking wing might brush closest to its empirical moorings…”
Please click here to read the essay in full
Shreya Sen-Handley 