Doubly relevant in the current climate, and amidst the controversy over the best-selling memoir ‘The Salt Path’, but Shreya explores much more than that in her inimitable style, and provides solutions. Please get a print copy (as pictured above) from publisher Writing East Midlands or read here.
“I’m with Oscar when he posits, “the truth is rarely pure and never simple.” Wilde! Not at all how a lot of folk, including famous philosophers, view truth – as the single unimpeachable edict on which we must build our world. Yet, the witty Irishman was, as always, spot on. The multiplicity of our planet makes undiluted, uncomplicated truth impossible, begging the terribly modern question of “whose truth?” There’s never just one side to a story, you see, though one of the numerous versions taking wing might brush closest to its empirical moorings…”
“She’s had two books published by HarperCollins, written for international media and was even the regional head of a television channel at the age of 25. It’s fair to say that there are achievers in this world, and then there’s Shreya Sen-Handley. And if that impressive CV wasn’t enough, she’s now become the first Indian and South Asian woman to write a Western, international opera, called Migrations. We catch up with the multi-talented writer to find out more…”
Starting with a front page story in India’s top newspaper The Hindu, the story of Shreya’s opera trended online for days before travelling to Asian and Arab news sites, such as these in Vietnam and Iran!
Shreya Sen-Handley, the first South Asian woman to write a libretto for an international opera, celebrates the contribution of Indian doctors in the UK’s National Health Service.
The Welsh National Opera’s Migrations, a series of six stories exploring migration from different angles, is composed by Will Todd and opens on October 3, 2020. Shreya Sen-Handley (Memoirs of My Body, Strange) is one of the six writers, and the first South Asian woman to have written a libretto for an international opera. She focusses on the experiences of the first Indian doctors in Britain.
Other than Jeet Thayil and Amit Chaudhuri, not so many Indian/Asian writers of either sex have had an opportunity to write international opera. Continue reading →